In this artwork, six stark white monoliths, planted in flowerbeds, amongst shrubbery and on lawns, were created to highlight and frame specific spaces around a public garden in Summertown, Oxford. Each monolith was pierced by a viewing aperture, encouraging visitors to look through, rather than at, the artwork. This project continues the theme of sculptural space, and how voids are as determinate in our readings of an artwork as physical material.

This project was part of the Aperture solo exhibition at the Turrill Sculpture Garden, Oxford, 2013